German 1860-1942 Walter Sickert Gallery Walter Richard Sickert (May 31, 1860 in Munich, Germany ?C January 22, 1942 in Bath, England) was a German-born English Impressionist painter. Sickert was a cosmopolitan and eccentric who favoured ordinary people and urban scenes as his subjects He developed a personal version of Impressionism, favouring sombre colouration. Following Degas' advice, Sickert painted in the studio, working from drawings and memory as an escape from "the tyranny of nature".[3] Sickert's earliest major works were portrayals of scenes in London music halls, often depicted from complex and ambiguous points of view, so that the spatial relationship between the audience, performer and orchestra becomes confused, as figures gesture into space and others are reflected in mirrors. The isolated rhetorical gestures of singers and actors seem to reach out to no-one in particular, and audience members are portrayed stretching and peering to see things that lie beyond the visible space. This theme of confused or failed communication between people appears frequently in his art. By emphasising the patterns of wallpaper and architectural decorations, Sickert created abstract decorative arabesques and flattened the three-dimensional space. His music hall pictures, like Degas' paintings of dancers and caf??-concert entertainers, connect the artificiality of art itself to the conventions of theatrical performance and painted backdrops. Many of these works were exhibited at the New English Art Club, a group of French-influenced realist artists with which Sickert was associated. At this period Sickert spent much of his time in France, especially in Dieppe where his mistress, and possibly his illegitimate son, lived  Related Paintings of Walter Sickert :. | The Old Bedford | Self-Portrait | Gatti's Hungerford Palace of Varieties Second Turn of Katie Lawrence (nn02) | George Moore | Aubrey Beardsley |
Related Artists:
Merian, Matthaus the Younger
Swiss, 1621-1687
Cornelius Varley
English Painter, 1781-1873 Painter, draughtsman and printmaker, brother of (1) John Varley. Primarily a scientist, he painted watercolours for pleasure. He was less prolific than his brother. Although he was also a founder-member of the Society of Painters in Water-Colours, he exhibited few watercolours there from 1805 to 1820 and even fewer at the Royal Academy and the Society of British Artists between 1820 and 1859 and 1826 and 1844
Pieter van Dyke
painted Portrait of Samuel Taylor Coleridge in 1795